I once asked a friend who is an artist, "How do you know that the piece of art that you are working on is going to be worth doing?" His reply was "You don't know until it's done, and that is one of the reasons we keep making art".
Old maps and paper airplanes
Initially from a memory as a child of my grandfather making me airplanes from the front covers of the Radio Times
Doors of Perception
Commissioned work in collaboration with Tim Harrold for Essex Network of Artists Studios for "Traces" show at Hadleigh Old Fire Station Studios
Various influences. Some work created as triptychs
This work exists somewhere between painting and sculpture, despite being wall-mounted and marked with colour.
The work is often carved, polished and sanded, resulting in highly varied relief surfaces. Areas of the work form visual bridges, allowing tentative connections with other spaces. Layers of colour seem to tease, having been applied and taken away, fighting with materials and form.
The layering and peeling back of surfaces: the way in which time acts on the world around us, concealing and unveiling by turns.
Areas of paint crack to expose another time: a memory is revealed, a place, a captured moment in life....
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Created whilst at Thurrock and Maistone Colleges